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SBT SR 90 1 Latham Lathams Falconry 1615 83428755 title page book 2
SBT SR 90 1 Latham Lathams Falconry 1615 83428755 title page book 2
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00001683 AHC Woodcock
00001683 AHC Woodcock
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The Compleat Gentleman by Henry Peacham, 1622
The Compleat Gentleman by Henry Peacham, 1622
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We Three Loggerheads, early 17th Century
We Three Loggerheads, early 17th Century
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Poster advertising the Sale of the Birthplace, Thursday, 16th Se
Poster advertising the Sale of the Birthplace, Thursday, 16th Se
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Sir Walter Scott at Shakespeares tomb, 1830
Sir Walter Scott at Shakespeares tomb, 1830
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Flowers from Shakespeares Garden by Walter Crane, 1909
Flowers from Shakespeares Garden by Walter Crane, 1909
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SBT 2010 12 Shakespeare Birthplace Trust Portrait 001
SBT 2010 12 Shakespeare Birthplace Trust Portrait 001
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A Midsummer Nights Dream, illustrated by Arthur Rackham, 1939
A Midsummer Nights Dream, illustrated by Arthur Rackham, 1939
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Garrick Jubilee, Market Square, 1769
Garrick Jubilee, Market Square, 1769
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Henry Wriothesley, 3rd Earl of Southampton by John L Riley
Henry Wriothesley, 3rd Earl of Southampton by John L Riley
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SBT 1994 19 15 Fisher print of Guild Chapel Mural 1804 SBT 001
SBT 1994 19 15 Fisher print of Guild Chapel Mural 1804 SBT 001
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Henry Wriothesley, 3rd Earl of Southampton by John L Riley Featured Print

Henry Wriothesley, 3rd Earl of Southampton by John L Riley

Henry Wriothesley (1573-1624), 3rd Earl of Southampton (copy of an earlier painting, the Tower portrait) by John L. Riley. Henry Wriothesley was one of Shakespeare's patrons. He would find him work and support some of his living needs. Henry was a popular but controversial figure. He came from a Catholic dynasty - a major sticking point in post-reformation England. Since Henry VIII broke away from the Catholic Church and formed the Church of England, being a Catholic in England had become dangerous, and Henry's father had been discovered helping the Jesuit Edmund Campion evade capture for heresy. From a young age, Henry had been raised by Lord Burghley, Elizabeth I's chief minister, to save him from the corrupting influence of his father. By 19, Henry was well established as a wealthy member of the court and was well known for his enthusiasm for literature; Shakespeare capitalised on this and sought to curry favour with him by including a foreword in his work Venus and Adonis, first printed in 1593

© The Shakespeare Birthplace Trust

SBT 1994 19 183 Soest Soest Portrait of Shakespeare c1667 SBT
SBT 1994 19 183 Soest Soest Portrait of Shakespeare c1667 SBT
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Hamlet by John Masey Wright, 19th Century
Hamlet by John Masey Wright, 19th Century
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Trinty Church, Stratford on Avon by Paul Braddon
Trinty Church, Stratford on Avon by Paul Braddon
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SBT HC 28
SBT HC 28
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SBT NP 70
SBT NP 70
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Shakespeares Birthplace Garden, 2017
Shakespeares Birthplace Garden, 2017
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Shakespeares New Place Garden, 2017
Shakespeares New Place Garden, 2017
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Shakespeare First Folio facsimile engraving by John Swaine
Shakespeare First Folio facsimile engraving by John Swaine
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The Bowling Green by C F Green, 1844
The Bowling Green by C F Green, 1844
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Shakespeares Birthplace by W L Walton, 1801
Shakespeares Birthplace by W L Walton, 1801
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The Booke of common prayer, 1597
The Booke of common prayer, 1597
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SBT SR OS 37 Shakespeare First Folio 1623 83000011 Ashburnham title page
SBT SR OS 37 Shakespeare First Folio 1623 83000011 Ashburnham title page
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Shakespeare First Folio facsimile engraving by John Swaine Featured Print

Shakespeare First Folio facsimile engraving by John Swaine

SR OS 37 (8300002X). Shakespeare First Folio, 1623. Mr. VVilliam Shakespeares comedies, histories, & tragedies. Published according to the true originall copies. Editors dedication signed: Iohn Heminge. Henry Condell. Printed at the charges of W. Iaggard, Ed. Blount, I. Smithweeke, and W. Aspley. 1623.
The Binding is 1/2 calf with marbled paper boards, probably bound for Robert Bell Wheler before c.1850. This First Folio was acquired by Robert Bell Wheler (1785-1857) c.1820; it was bequeathed to his sister Miss Anne Wheler, who donated it to the Shakespeare Museum in 1862.
This fragmentary copy is recorded in the Lee Census 143, Class IIIB; West No. 38; Introductory pages are missing. Lacks 65 leaves incl. preliminaries, Tempest, Othello, parts of Two Gentlemen of Verona, Lear, Antony and Cleopatra, Cymbeline; 12 shorter leaves introduced from other copies(?); facsimile portrait engraved by John Swaine; several leaves misbound; minor tears repaired; some MS. ink marginal notes.
Frontispiece, facsimile portrait engraved by John Swaine

© The Shakespeare Birthplace Trust

Shakespeares Second Folio by Robert Cotes, 1632
Shakespeares Second Folio by Robert Cotes, 1632
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SBT 1994 19 10 Fisher Print of 24 heads selected from Guild Chapel 1804 SBT 001
SBT 1994 19 10 Fisher Print of 24 heads selected from Guild Chapel 1804 SBT 001
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River Avon and Holy Trinity Church by Edward Grubb, 1750
River Avon and Holy Trinity Church by Edward Grubb, 1750
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Flowers from Shakespeares Garden by Walter Crane, 1909
Flowers from Shakespeares Garden by Walter Crane, 1909
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Flowers from Shakespeares Garden by Walter Crane, 1909
Flowers from Shakespeares Garden by Walter Crane, 1909
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Flowers from Shakespeares Garden by Walter Crane, 1909
Flowers from Shakespeares Garden by Walter Crane, 1909
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Family Saying Grace by Anthonius Claeissins
Family Saying Grace by Anthonius Claeissins
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An embroidered Sweet Bag, late sixteenth-century
An embroidered Sweet Bag, late sixteenth-century
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SBT Cocks TRO 1985 RGB
SBT Cocks TRO 1985 RGB
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Oval miniature portrait of William Shakespeare by William Essex, 1862
Oval miniature portrait of William Shakespeare by William Essex, 1862
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Portrait of William Shakespeare by Ozias Humphry, 1783
Portrait of William Shakespeare by Ozias Humphry, 1783
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The Graphic Gallery of Shakespeares Heroines - Anne Page by William Ernest Henley
The Graphic Gallery of Shakespeares Heroines - Anne Page by William Ernest Henley
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An embroidered Sweet Bag, late sixteenth-century Featured Print

An embroidered Sweet Bag, late sixteenth-century

SBT 1992-86. A late sixteenth-century sweet bag; dark pink silk satin ground, embroidered with yellow and pink silk flowers and green/yellow foliage in silk and metal threads, the border and background are also embellished with silver spangles; lined with gold/pink silk; seven-colour plaited drawstring and cord; the drawstring has acorn terminals worked in metal threads; the bottom of the bag has three tassels attached to loops covered with metal thread; the two corners of the bag have intertwined bullion thread motifs.
Face 1 - detail view.
Dimensions: Bag - 110mm (H) x 250mm (max W) 125mm (opening)
Cord - 325mm

© The Shakespeare Birthplace Trust

Midsummer Nights Dream by John Masey Wright, 19th Century
Midsummer Nights Dream by John Masey Wright, 19th Century
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King Lear on the Heath by John Masey Wright, 19th Century
King Lear on the Heath by John Masey Wright, 19th Century
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Mary Harvey, c.1620
Mary Harvey, c.1620
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Shakespeare in his Study by Thomas Newland
Shakespeare in his Study by Thomas Newland
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Songs of Shakespeare by H C Hoskyns Abrahall, 1866
Songs of Shakespeare by H C Hoskyns Abrahall, 1866
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Songs of Shakespeare by H C Hoskyns Abrahall, 1866
Songs of Shakespeare by H C Hoskyns Abrahall, 1866
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MND 1962 (Holte neg D8)
MND 1962 (Holte neg D8)
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The Ventilator Sketch - The Viewing Gallery at the Houses of Parliament
The Ventilator Sketch - The Viewing Gallery at the Houses of Parliament
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Anne Hathaways Cottage by Paul Braddon
Anne Hathaways Cottage by Paul Braddon
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House of Dr John Hall, Stratford on Avon by Paul Braddon
House of Dr John Hall, Stratford on Avon by Paul Braddon
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Guild Chapel, Stratford on Avon by Paul Braddon
Guild Chapel, Stratford on Avon by Paul Braddon
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Back of Shakespeares House, Henley Street by Paul Braddon
Back of Shakespeares House, Henley Street by Paul Braddon
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